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Namespaces Article Talk. Views Read View source View history. Help Learn to edit Community portal Recent changes Upload file. The closing rendition of 'Love Is Everwhere', in particular, where Sanders and his band's incredible playing fades at the end into the sounds of communal bliss from the audience, imparts the joy of music in its purest form. Two very fine records for Hessle Audio and Timedance weren't all Laksa had to offer in Loaded with numerous tempo shifts, there's a surprise or, put simply, another huge banger at every turn.
Mike Paradinas' always forward facing Planet Mu label has just turned 25 and is celebrating with this compilation of 15 relatively hearty party bangers. RP Boo's up for it 'Finally Here' develops from stuttering juke jam into a squelchy acid electro banger that cheekily interpolates Class Action's 'Weekend', while Skee Mask brings lush synthetic chamber symphonics to his remix of Konx Om Pax's 'Rez'.
By the time you've got through other dance floor manglers by East Man, Meemo Comma and Rian Treanor, you'll be wanting to present them with a cake bearing 25 candles and wishing them all the best for the next quarter of a century.
I wish there were more collections like this. It opens with one of Eliane Radigue's Occam pieces she only allows certain people to play her music and includes a mix of early music by Tobias Hume, classical pieces by Messiaen and avant-garde compositions. Many are minimal and grounded in the instrument's body or material construction. The Alison Knowles piece consists of a beating of the body of the instrument that moves on to the strings.
Curtis's own pieces have the sort of instrumental drift of Gastr Del Sol — nonchalant guitars and brushes on snares. It is a salve. Jennifer Lucy Allan. This gloriously odd record leads you to many discoveries. The opening tracks on the release are six recordings from the s of an ancient folk music and dance ritual that was employed to cure Tarantismo; a psychological condition characterised by an extreme sometimes deadly impulse to dance, believed to be caused by the bite of a tarantula.
The second half consists of modern interpretations. Tarantismo was found mainly in southern Italy — around the Greek colony of Taranta — during the mediaeval and the early modern periods. And, given the times, it seems the dance cure took the form of an exorcism. In more recent years this form of music based round creating long and fast rhythmic passages has developed and is used in therapy for patients with certain forms of depression and hysteria.
The effects of the music on the endocrine system your glands in other words is now an object of serious research. High on the list of historical tragedies inflicted on African-Americans' cultural history is the impact of the s AIDS crisis. In the discos of New York, queer black men were able to find a place of sexual and social liberation just as they invented much of the electronic music many take for granted today.
Maxx Mann's debut album, reissued by the Dark Entries label, is one of the finest and most important archival releases of recent years, carrying in its smooth electro jams, not only a ribald sexuality, but also a poignancy — a multi-racial group, founder member Paul Hamman died of AIDS, while Frank Oldham Jr worked in AIDS advocacy charities Luke Turner. It has been around for most of my life and I've been around people who have record collections and that's the record that if there is any jazz at all, that's it.
If you like Black Sabbath then there's a good chance that might be your one jazz record if you've got one. So it's supposed to be cool. I first heard it when I was ten. I was like, 'What's this shit? I hate this. The songs go on for 20 minutes. Then when I was like 20 I would go, 'Ah no! I don't get it. It just feels like it's going to go on forever. The music is gorgeous and soothing, intimate and direct.
Between sweet and affecting melodies you can hear the sounds of fingers clicking on keys, buried voices counting time in the distance. Taking away the mercurial, frenetic vocals that appear on his other albums makes the music's more directly emotional and calming qualities "easier to digest," as he puts it, which is the point of the release.
Can't it just be the nice bits? One of the things I wanted to do with this album is to make more people welcome.
Throughout The Neptune Collection 's nine cuts, sweet folk melodies carried by taught woodwind, piano, guitars, and percussion licks appear not as main compositional themes, but almost as happy accidents of an experimental and free practice. As Clark's collective entertained an inter- and multimedial combination of theatre, dance, poetry, and music, the record's makeup was shaped into a similarly heterogenous form. Texturally and structurally rich like an ambient fresco.
Painted with an elegant amalgam of Celtic dances, free jazz freakouts, klezmer's joyful laments, and Balearic meditations. Haunted by an overwhelming sense of existing at the end of a summer that was never supposed to end.
Anachronistic, yet perfectly preserved in amber tones. I'm going to come clean and admit that before this album landed in my inbox this March, I had scarcely listened to a note of Lennie Tristano and knew little of his backstory. But for whatever reason I've found myself reaching for these sixteen cuts more than almost any others this past nine months.
Time was, if you needed music for your B-picture thriller you would either go with a small jazz group or an astringent Schoenbergian exercise in atonality. With Tristano, you get both. The King Of Sudanese Jazz a record that fizzes and cracks with electricity and energy, dominated by the musician's extraordinarily charismatic vocal presence.
Music Week. Retrieved 21 June Retrieved 3 March Retrieved 29 November Retrieved 20 April Retrieved 9 April Retrieved 30 July Retrieved 26 November Retrieved 1 April Retrieved 25 November Retrieved 14 April Retrieved 28 July Retrieved 30 November Retrieved 5 April Retrieved 31 July Retrieved 27 November Later editions have included bonus "What's Next" tracks by not-yet-fully-established artists at the expense of additional hit songs.
Now 01 appeared in July of that year, followed by Now 02 in time for Christmas Now 08 was the last of this series however a second series took over this time with seasons instead of volumes for example Now Winter , Now Spring Now Summer was the last in the second series, on the third series the season was dropped and instead the year and volume is used for example Now Vol.
In the Now Summer was the first double disc edition in the Australian series. The series is compiled in co-ordination with New Zealand's top record companies. Records which only released three albums from to Now has been seen in Argentina , with at least nine releases. The track listings on the Argentine Now albums are only slightly different from those of the Mexican ones. From Wikipedia, the free encyclopedia. UK compilation album series.
This article is about the series as a whole. Number 1's. Archived from the original on 6 May Retrieved 2 July Retrieved 24 December EMI Music. Archived from the original on 30 January Retrieved 9 March Retrieved 10 March Retrieved 29 March Retrieved 11 September
Lucille - The Everly Brothers* - The Very Best Of The Everly Brothers (Cassette, Album), Spegelbilete - Kenneth Sivertsen - Fløyel (CD, Album), Under A Violet Moon (Burg Waldeck 2004) - Blackmores Night - Castles & Dreams (DVD), A Man & A Woman, Back In Business - Madonna - The Hits & More Part 1 (CD), Down To The Waterline - Dire Straits - Money For Nothing (Cassette), Del Shannon - Drop Down And Get Me (Vinyl, LP, Album), Mojon En la Marea - Héctor Napolitano - Cangrejo Criminal (CDr, Album), Jai Namo - Siamgda, Morty - The Beach (Remastered) (File), Timeless Flight - Jon Olivas Pain - Maniacal Renderings (CD, Album)